![]() ![]() In a field so often dominated by older white men, González-Granados brings diversity, a representation of what classical music can and should be. Now, at the LA Opera, she is the first Latina to hold the position of Resident Conductor at a major U.S. She also regularly makes guest appearances with top orchestras, such as the New York Philharmonic, the San Francisco Symphony and the Los Angeles Philharmonic. She held the position of Conducting Fellow at the Seattle Symphony and the Philadelphia Orchestra, and she currently holds the Solti Conducting Apprenticeship at the Chicago Symphony Orchestra. In spite of the many challenges, González-Granados has quickly risen to become one of the most prolific young conductors in the field. “Trying to find the right crew that you identify with, in a place that has little to no one looking like you - it’s just hard,” González-Granados said. For the young musician, the transition from Colombia to the U.S. Moving to the United States in 2010, González-Granados furthered her studies at the New England Conservatory and Boston University, refining her conducting at the graduate level under mentors like Charles Peltz and Bramwell Tovey. “ started as a great opportunity to make friends and to be able to be in touch with something that was a little bit bigger than myself,” González-Granados said. Though coming from a family of doctors, the conductor immersed herself in the art form, singing in choirs and playing piano. González-Granados hails from Cali, Colombia, a city with a vibrant and diverse musical culture. By all means, the evening would pose a true artistic challenge, but for the Colombian Maestro, a personal history of trailblazing and excellence in performance has made her well prepared. Director Simon Stone’s daring staging waited behind the curtain, relocating the opera from its ordinary 17th century setting to the modern-day Rust Belt. Opening the opera, the timpani tapped out the beginning of the ominous Prelude, foreshadowing a night of intrigue, violence and destruction. Appointed the Resident Conductor of the LA Opera last September, the evening was her debut appearance with the company, an opportunity to demonstrate the energy and presence she hopes to bring to the orchestra. (Photo Courtesy of Cory Weaver | LA Opera)Īs Lina González-Granados made her way through the pit to the podium at the Dorothy Chandler Pavilion last Saturday, the audience buzzed with an especially welcoming and animated applause. 17th, and it will continue to be shown until Oct. Lina González-Granados debuts for the LA Opera with her production of “Lucia Di Lammermoor.” The first showing of “Lucia Di Lammermoor” was on Sept. ![]()
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